SamplesHome - the real audio paradise for you!

DDP | 12 February 2019 | 5 MB

DMGAudio Multiplicity
A step forward for precision mastering.
Multiband compression, expansion, gating, dynamic EQ, the lot.
Whether repairing or enhancing a signal, Multiplicity gives you a degree of control that isn't possible with anything else.

Features
8 bands of crossover and dynamic EQ.
Dual-stage dynamic handling separates transients and dynamics.
Dual-timing release. No more pumping.
Beautiful, minimalist user interface.
Bit-transparent linear phase crossover and band-splitting.
Extensive graphing and feedback.

home page:

https://bit.ly/2TKJbd9

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Unfiltered Audio G8 Dynamic Gate v1.3.1 CE / v1.3.0 WiN MacOSX

WiN: Team V.R | 28 October 2017 | 4.51 MB
MAC: DDP | 12 February 2019 | 5.5 MB

The Unfiltered Audio G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’.

Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.

From transient shaping to trance gating to polyrhythmic beat slicing, G8 can add a whole new level of endless creative possibilities to your sound. Activate the 14-day full function demo with your Plugin Alliance account to hear for yourself!

► FEATURES

‘Cycle’ gating mode gives you the ability to use G8 as a stutter effect, an AM/granular effect, or a tremolo
‘One-shot’ gating mode allows for surgical transient shaping from any type of sound
Custom MIDI in/out: trigger G8 with an instrument or extract grooves from an audio track to trigger an instrument with G8
Route post-gate, ‘Reject Outputs’ to another track, or use ‘Flip’ mode to swap Reject Outputs with G8’s main output, essentially reversing the behavior of G8
Four-channel analysis (sidechain) input; two internal and two external, each independently filtered and gain-controlled
Precise triggering with Lookahead analysis
RMS and Peak detection modes
Variable reduction of gated signal allows for subtler processing
Wet/Dry mix for parallel processing

home page:

http://bit.ly/2iFkG3g

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FANTASTiC | 13 February 2019 | 255 MB

CJ x NeedThatKit present the 3rd installment of "CJ's Melody Pack" with Royalty Free Melodic Ideas & Progressions

40 Wav Files/Loops
Each loop is a different idea
Tempos Included
Full 12 Bar Loops

home page:

https://bit.ly/2TDGBFH

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FANTASTiC | 13 February 2019 | 279 MB

Cognition Strings presents Drum Tools a collection of drum loops essential for their productions of Techno, Tech-House, House, ...

In this package you will find so percussion rhythms as defragmented tops to use as you want each sound element in their productions.

101 Percussion Loops
38 Tops
21 Hats
10 Kicks
17 Claps/Snares
20 Vocal Fx / Fx

home page:

https://bit.ly/2BAJEHU

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FANTASTiC | 13 February 2019 | 65 MB

All PVLACE loops are NOT Royalty Free.
Placements with major artists and or major labels
must be cleared contact pvlace808mafia@gmail.com

Private mail is included in the pack
Sending the best ones out for placements

13 x Samples/Loops

home page:

https://bit.ly/2BxMjSH

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Udemy Voice-Over Training Record And Edit Voice Overs Like A Pro TUTORiAL

P2P | 13 February 2019 | 3.9 GB

How To Record Professional Presentations and Voice-Over Recordings at Home. Improve Your Video Audio or Voice Recordings

You'll learn exactly how to create high quality voice overs for any video, which will drastically improve the video quality, help to deliver your message more effectively and increase conversions!

You can use your new voice over skills for sales and product promotional videos, instructional videos, affiliate/review videos or choose to provide your own voice over service and get solid regular clients from all over the world and work at your convenience from your own home studio.

Peter Baker is a professional voice-over and former BBC news presenter with almost 40 years of professional experience in the business; what he doesn't know, isn't worth knowing.

Through his easy to understand step by step instructional videos and accompanying course material, he will impart all the secrets to help grow your business in whatever direction you wish it to go.

The entire Voiceover Masterclass has over 354 minutes of video material, that's almost 6 hours....We've also included our easy to follow PDF training guides, test scripts as well as ready made editable email and invoice templates are included.

Once you've completed the training and feel ready and confident enough to start making some money from your new skills I'll teach you how to make sure you get found on the internet so you can start receiving a steady flow of customers.

Who this course is for:

The training and guidance given within Voiceover Masterclass is designed for anyone at any level. Whether you have no previous experience at all and just want to get started or if you are aiming to further expand your voice over business. You will find everything you need.

Final Thoughts… “Millions and millions of dollars are often invested from all over the world on Voice overs and that's great for the both of us. I would like to help you discover the highly lucrative world of voice overs, reach financial freedom and achieve your goals”.

home page:

https://bit.ly/2GGIZI0

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Figure 53 QLab 4 Pro Bundle v4.4.2 MacOSX

TNT | 13 February 2019 | 13.48 MB

Everything you need to put on a great show. QLab provides live show control for your Mac. Create media designs for theatre, dance, composition, installation, and more. Play back audio, video, and MIDI from a single workspace. QLab 4 includes an all-new Light cue, a huge update to QLab Remote for iOS, and over 40 other new features.

► Design Tools
- Unlimited Cue Lists with unlimited cues
- Unlimited Cue Carts with 1 to 64 buttons per cart
- Design in Edit Mode and run your performance in Show Mode
- Non-destructive design tools never modify your media files
- Undo any edits
- “Audition” cues locally without sending audio, video, or lighting output to the stage
- Cue templates and Workspace templates
- “Record cue sequence” tool, to capture timing and play it back again the same way later
- “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
- Text search of cue lists and cue carts
- Extensive AppleScript and OSC APIs
- A comprehensive Status Window to guide troubleshooting
- Powerful and painless remote editing via QLab Remote

► Lighting
- Control unlimited Art-Net DMX universes.
- Create unlimited light instruments (like channels, but can be named anything, not just numbers).
- Create unlimited light groups to collect related instruments together, like "all", "stage right", "LEDs", "floor", or "floor front left".
- Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
- QLab-style levels fading: it's simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
- Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
- As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
- All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
- See and manipulate the current levels of all your lights using the Light Dashboard.
- If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values "over time" so they'll fade in smoothly.
- Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
- Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
- Trace back the edits to each cue that most recently modified each instrument.
- Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
- For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
- Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
- View light cues as sliders, tiles, or raw command text at any time.
- View the Light Dashboard as sliders or tiles.
- Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
- Easily delete individual light commands from any cue, and of course undo any edits.
- In slider view, expand group commands into all the individual instruments currently in the group.
- In slider view, indicators show the current live value of each light in a cue.
- In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
- Quickly see when a group of instruments is set to all the same level or a mix of different levels.
- Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
- Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
- Control both the Light Dashboard and individual Light cues via OSC messages.

► Audio
- Support for up to 64 channels of audio output
- Support for up to 24-channel audio files
- Support for up to 24 channels of live audio input
- Audio waveform view
- Unlimited slices of your media files for looping and vamping
- Sample-accurate playback synchronization across multiple cues
- Audio panning and volume fading
- Customize output channel names
- Edit audio device routing
- Audio effects on any cue
- Audio effects on cue outputs
- Audio effects on device outputs
- Fade audio effects dynamically

► Video
- Full-screen or custom geometry for Video cues
- Fade and animate videos
- 1000 layers of video
- Masking and edge-blending across multiple projectors
- Warping and keystone correction
- Basic video effects
- Live camera input with the Camera cue
- Syphon input & output
- Blackmagic input & output
- Text & titles with the Text cue

► Show Control
- Send OSC or UDP messages using the Network cue
- Fade your OSC messages over time, in 1D or 2D
- Inject live values from your workspace into outgoing OSC messages
- Send all MIDI and MIDI Show Control messages with the MIDI cue
- Send MIDI messages by playing MIDI files with the MIDI File cue
- Run your own AppleScripts with the Script cue
- Generate LTC or MTC output with the Timecode cue
- Trigger cue lists from incoming LTC or MTC timecode
- Remote control via OSC and MIDI

QLab 4.4.1 Release Notes

FIXED: When using the Load to Time slider, the yellow load indicators shown in the cue list are updated.
FIXED: Double clicking the text fields of a cue list in show mode will, again, no longer allow the editing of those fields.
FIXED: Running a Fade cue that only fades audio effects will no longer break the cue if the target audio is not currently loaded.
FIXED: Light Groups are now displayed in proper lexical order in the Light Dashboard.
FIXED: The preview/pause button in the Timeline tab did not reflect the action it would take.
FIXED: A bug when importing a .gobundle file from Go Button that could cause audio files with non-US characters in the file name to fail to be copied to the new workspace's "audio" folder.

ADDED: Instrument definition for the GLP Impression S350.

ADDED: Instrument definitions for the following Monoprice Stage Right fixtures: 3-Color LED Light Bar, 3-Color LED Moving Head Light, 3-Color LED PAR-64, Ellipsoidal 60-watt COB LED, Ellipsoidal 180-watt COB RGBW LED, Ellipsoidal 200-watt COB LED, PAR 8-watt x7 RGBW LED, PAR 10-watt x6 RGBW LED IP65, PAR 10-watt x9 RGBW LED, PAR 12-watt x7 RGBAW-UV LED, PAR 15-watt x12 RGBAW LED, PAR 18 Watt x18 RGBWA-UV LED, PAR 18-watt x18 RGBWA-UV LED with zoom, Stage Beam 30-watt LED Moving Head, Stage Wash 10-watt x7 RGBW LED Moving Head, Stage Wash 10-watt x36 LED RGBW Moving Head with zoom, Stage Wash 12-watt x7 LED Moving Head RGBW with zoom, and Truss Wash 3-watt x3 Uplight.
ADDED: Provided information for newer macOS versions about what QLab uses the microphone and camera for.

home page:

http://bit.ly/2gnPuz9

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Team R2R | 13 February 2019 | 2.01 GB

Our expertise: Development of high-end audio software for native and DSP based systems, often based on emulations of analog hardware from our international partners. Brainworx is known for being big enough to get any job done, yet small enough to stay flexible – a real benefit for our customers, employees and partner companies.

Team R2R Note: (v2.0.0)

HAPPY VALENTiNE'S DAY!!!

----------------------------------------------------------------------------

Q) Did Plugin Alliance change the protection?

A) The first big change happened between All Bundle v3.0 and v3.1. Before
v3.1, there are no antidebug, antitamper, antirebuild things. There were
just C&R protection using SHA256/RSA2048/RC4/BASE64.

From v3.1, PA adopted protector which we call PA-Layer. (To be honest we
don't know the actual name of that protector. It looks different from the
popular cross platfrom protectors like VMProtect).

PA-Layer function :

* Packer (Section Encryption)
* Code Obfuscation + Virtualization
* Anti Debugging
* Anti Tampering

We developed custom loader for the Anti PA-Layer and released in short
term (v3.1, last PA full bundle for public till now). But PA updated
the protection immediately for Anti-Anti PA-Layer. Anyway, it is just a
small change. Maybe they would update the protection again after a while.

----------------------------------------------------------------------------

Q) Why did some plugins continue to be cracked?

A) PA-Layer is adopted to the plugins developed by Plugin Alliance
(Brainworx) self. 3rd party plugins like Lindell, Unfiltered are not
protected by PA-Layer.

----------------------------------------------------------------------------

Q) What the bad point of PA-Layer? Is it removed from R2R release?

A) Slow loading time, performance affection. If you want to compare the
performance, compare the latest one with the one from PA All Bundle v3.0.

Load many plugins -> Save Project -> Close DAW -> Reload It!

You can notice the big difference between them.

Unlike our full rebuilt iLok releases, PA-Layer is still there in our
releases and you will have any bad points of PA plugins.

Enjoy the unprofessional behavior of the professional plugins!

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Q) Why AAX got cracked and appeared beside the VST version?
Is AAX protected weaker than other plugin platform?

A) Yes, AAX is protected much weaker. While core protection (C&R and related
crypto) is still obfuscated/virtualized in AAX. We guess this is because
AAX needs digital signature by Avid, and some integrations of PA-Layer
conflict with it.

NOTE : AAX Crack by VR will crash randomly due to the bad bomb dealing.
It delays the crashing but it still crashes by some random seeds
(time64) and working time.

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Q) How long does it take to crack all plugins?

A) Just imagine yourself -
Generate, Test custom loaders for VST2/VST3/x86/x64, for 90 products.

----------------------------------------------------------------------------

Q) I thought R2R was paid by Plugin Alliance to stop cracking.

A) We thought you were paid to complain R2R.

home page:

https://bit.ly/2TJzHyB

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Team R2R | 14 February 2019 | 36 MB

Meet your mix bus' best friend: The Black Box Analog Design HG-2.

There's good reason why celebrated mix engineers like Dave Pensado, Bob Horn, and Jack Douglas use the high-end Black Box Analog Design HG-2 tube processor on their mixes. The boutique stereo processor's multiple, diverse tube circuits not only make tracks sound richer and fuller, they also make them sound louder, bigger and punchier at the same peak level. Much more than a mere distortion box, the HG-2 can impart subtle harmonic coloration and sparkle without compromising fidelity, or add brilliant saturation that totally changes the character of a sound.

Now you can have that lush and vibrant sound in the Black Box HG-2 plugin. Brainworx collaborated with Black Box to model the HG-2's sweet tubes and creamy-sounding transformers, and then added a host of powerful digital mods to greatly expand the processor's tonal palette and range of saturation-based compression.

Paint Tracks with Different Colors

A smorgasbord of assorted tube flavors, HG-2 emulates four different vacuum tube stages combined in series and parallel circuits to color your mix and individual tracks with a wide range of rich and varied harmonics. Separate gain controls for emulated 6U8A pentode and triode tubes are placed in series between buttery virtual transformers warming the plugin's input and output.

Dial in the perfect blend of pentode and triode tube sweetness, then adjust the Density control to drive both tubes harder without changing their relative balance or the plugin's output level, adding more girth and mass. The Calibration menu emulates the effect of an internal trim adjustment in the original hardware unit, instantly modifying the HG-2's high-frequency response to produce Dark, Normal or Bright coloration.

An added Air knob lets you control how much high-frequency fairy dust you sprinkle on vocal tracks, string instruments, piano and full mixes. Turning down the Mix control adds back dry signal at the plugin's output, combining HG-2's beautiful tube softness and luster with your mix's perfectly preserved detail and punch.

It Gets Nasty, Too!

Two virtual 12AX7 tubes—each voiced differently—can be alternately driven in a parallel Saturation circuit to add tube sheen or blistering overdrive distortion to just low or high frequencies or across the entire frequency spectrum—great for shaping individual tracks, creative sound design and adding energy to full mixes.

The Saturation circuit's output feeds the pentode and triode tubes, giving you a massive combined effect that transforms thin, digital tracks into fat analog beasts. Drench just the bass and low-midrange frequencies in the Saturation circuit to grow a beard on a sterile bass track or add massive body and weight to a kick drum.

Crank the pentode gain and dial in some crunchy AX7 tube saturation to make rock guitars sound bigger, louder, richer and in-your-face. Broaden a thin-sounding singer's low-midrange band with extra pentode gain, and push the triode tube and Air boost to make their track sparkle and shimmer.

Every type of tube colors sound differently. Every track and mix needs different coloration. HG-2 lets you create the perfect blend of tubes for the best-sounding mixes and individual tracks. Color your world.

Team R2R Note: (v1.3)

home page:

https://bit.ly/2TLU26t

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Team R2R | 13 February 2019 | 41.3 MB

The ACME Opticom XLA-3 is a powerful and flexible optical compressor. The plugin has been developed in close cooperation with Brainworx.

Glorious tube sounds and opto-electric vibe, featuring steel covered military-grade components. Slap it across the drum buss for solid and seamless LA-2A style leveling. Force vocals through the input to add grit and attitude to a wimpy take.

A unique "Amp Mode" allows you to to add harmonic color to your signal without even touching the dynamics.

The original XLA-3 hardware features three compression responses. Each treat sounds in a totally different way.

Brainworx faithfully emulated the XLA-3 and captured these features in plugin form, and several new features were added to the plugin version, including a parallel mix knob, an output trim control, and an adjustable noise floor. All of the complex and sonically beautiful behavior of the hardware has been faithfully captured in the plugin version.

Drive the input. Set the behavior. Level to taste. Done.

Features

Unique opto-electric circuit that combines the best characteristics of 3 separate compression curves in one unit - from clean to dirty!
Smooth and seamless 'LA-2A' sound plus optional even-harmonic distortion
In Amp Mode this becomes a “tone box” - adding color and distortion without reducing dynamics
Saturate with Output Gain, and attenuate to taste with the added Output Trim
Several plugin-only features not available on the original hardware

Team R2R Note:

home page:

https://bit.ly/2TNa9kt

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Team R2R | 14 February 2019 | 41 MB

ENGL Amps have gained a reputation in the music scene for delivering the ultimate metal tones over the past decade or so. The 'noted users' website reads like an international who is who in rock and metal!

Unique and remarkable design and awesome signature sounds wrapped into snakeskin. 100 watts of four 6L6 power tubes trapped behind hand-soldered iron chains. Adjusted and dialed in for the modern metal guitar player.

This is the ENGL E646 - Victor Smolski Ltd, a true model of the Limited Edition ENGL head developed by the specialists at Brainworx.

Four channels of pure tube attack power deliver the widest modern range of tones you can expect from an amp.

The E646 plugin faithfully delivers all the fast attack, punchy rhythm, furious lead tones and the modern, sparkling clean sounds of the original amp. Through meticulous component modeling, that plugin version also captures the smooth, sonic transition of well-selected channel layouts including an adjustable Mid Boost switch in order to create modern rock tones from sustained shining clean to a vintage vibe crunch sound.

Dirk Ulrich (CEO of Brainworx), was a rock producer for 15 years before he entered the plugin business. Dirk has recorded with musicians of bands like Dream Theater, Toto, Michael Jackson Band and many more. He has produced 64 of those recording chains at the PMC-monitoring equipped www.brainworx-studio.de, capturing 3 different ENGL cabinets recorded with up to 9 different hi-end vintage and modern microphones through Brainworx' NEVE VXS72 console (1 out of 9 consoles of this type which exist) and using outboard EQ from Millennia, SPL and elysia. The resulting tones, which would take tons of gear, time and expertise to achieve, can be selected from a simple menu inside the plugin.

The ENGL E646 plugin can even be used in a live context. Simply switch off the speaker simulation and play the ENGL amp plugin via a real power amp and a real guitar speaker cabinet and you'll believe you're playing through a real amp!

The ENGL E765 plugin also includes some useful features not found on the original amp:

The built-in Noise Gate helps stifle the annoying hiss often generated when Gain Boost is engaged at very high gain levels. Channel 2's Tone button fattens up the sound in both Gain stages. It enriches the midrange frequencies, effectively doubling the number of basic sounds available to you in Channel 2. Another trademark ENGL feature is provided with a second master volume (Master A/B)

home page:

https://bit.ly/2TNo8Xj

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Team R2R | 14 February 2019 | 375 MB

elysia nvelope v1.4
elysia alpha compressor v1.11
elysia mpressor v1.9
elysia museq v1.7
elysia niveau filter v1.10
elysia karacter v1.3
elysia Phil's Cascade v1.1

Team R2R Note:

home page:

https://bit.ly/2TMnmtB

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Dmitry Sches Thorn v1.2 / v1.2.0 WiN MacOSX

WiN: Team R2R | 13 February 2019 | 114.3 MB
MAC: DDP | 10 February 2019 | 179 MB

Thorn is a software synthesizer that was designed to be easy to use and deliver awesome sound. In Thorn, being simple means to be straightforward and provide advanced sonic control at the same time. Intuitive workflow, high quality processing modules, light on the CPU, Thorn is ready to be put at the heart of your mix, in any genre of modern electronic music production.

► Features

Thorn offers 3 oscillators that utilize spectral synthesis method. This gives you control over all harmonics involved into the generation process of your sound. The oscillator provides sets of spectral and real-time effects to shape harmonics further. Of course FM, RM, PWM, Hard Sync implemented too.

Sound sources organized as spectrum tables of 16 frames with ability to edit and morph harmonics. The spectral synthesis gives ability to "post-process" all the generated harmonics with a special filter to colorize the output.

Two multi-mode, analog modeled filters with sensitive saturation stages available to charge your sounds and make it shine through the mix. There are 9 high quality effects, 3x ADSR envelopes, 3x LFOs, 2x multistage envelopes at your service in Thorn. 16-step flexible arpeggiator with MIDI output to generate rhythmic sequences available as well.

Additionally, Thorn provides a grid-based Glitch sequencer for maximum fun. Chop your sounds with the sequencer to get modern glitchy, stuttering effects.

version 1.10:

Envelope Attack / Decay / Release time range is longer now
It's possible now to modulate ModDepth
Fixed incorrect unison spread when using oversampling
Sustain pedal works in ARP mode now
Opened popup menus do not crash when closing Thorn's editor
FLT1 / FLT2 envelopes work when ModMatrix bypassed
Minor fixes and improvements

v1.2:
Thorn is distributed by Plugin Alliance now
Integrated Plugin Alliance framework with toolbar and authorization scheme
Thorn Essentials, HouseMaster One and Thorn Expansion 2 by Rob Lee are in the factory library now, free of charge
Modulation depth can be modulated now without issues
MIDI CC is working now when ARP is turned on
Thorn now returns text values to be displayed in automation lanes for AAX / VST3 / AU
Removed Optimize Polyphony option, will be returned later
Fixed automation smoothing issue
Fixed a crash when opening AAX page-table
Fixed minor preset loading issues on Windows

AU Plug-In 64 Bit cracked

home page:

http://bit.ly/2zotNbH

DOWNLOAD

Team R2R | 13 February 2019 | 98.6 MB

Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.

Two modes of operation let you choose how to work. Simply drag your mouse around using the plugin’s graphical XYZ pad to position a track’s sound anywhere in a 3D soundstage - behind or in front of the listener, above or below their head, to the left or right, closer or farther away. Or use separate sliders for adjusting the sound’s elevation, azimuth and distance from the listener. dearVR pro provides 46 vivid virtual acoustic environments, featuring true to life 3D imaging and depth, in which to place an object’s sound and move it around in real time. Among the many selections to choose from are concert halls, car interiors, variously sized rooms, and a church, cellar, staircase, bathroom, booth, warehouse, arena, outdoor street and live stage. Each environment is instantly and independently recallable per plugin instance, letting you place each object’s sound in a different space.

You can change the shape, dimensions and texture of your selected virtual space using controls that adjust its size, damping, and balance of early reflections and diffuse reverb. In Realtime Auralization mode, turn six knobs to respectively adjust the distance from the listener of the four walls, ceiling and floor in your virtual space; as you move your sound around to match an onscreen object’s movement, the delay times and directions of arrival for early reflections bouncing off these virtual boundaries change - just like in real environments. An Occlusion control lets you adjust the sound of an object to realistically match its being blocked by another virtual object in line of sight to the listener. And if a track’s sound doesn’t move in perfect sync with its corresponding visual element, you can tweak its animation curve using separate scaling controls for azimuth and distance parameter ranges to make picture and sound match up flawlessly.

dearVR pro outputs the highest-quality 3D audio in seven delivery formats (including audio for 360-degree videos on YouTube and Facebook), meeting all the professional requirements for any VR or AR production. Select 2-channel binaural format for totally immersive playback using conventional headphones. Or choose 4-channel first order, 9-channel second order or 16-channel third order Ambisonics output in either AmbiX or Furse Malham (FuMA) format. The plugin’s 46 stellar virtual acoustic environments can also be used like conventional reverbs in 2D stereo mixes, doubling their usefulness for music production.

For those who don’t need all the firepower dearVR pro offers, a streamlined version of the plugin - dearVR music - is available for entry-level applications. But for professionals working in VR and AR who need no-compromise, state-of-the-art performance with all of the workflow advantages of a self-contained plugin, dearVR pro is the ultimate solution.

dearVR pro - one-stop 3D processing for your DAW.

► FEATURES

State-of-the-art processing allows any multitrack session to be mixed in 3D, delivering a true to life immersive soundscape with binaural or Ambisonic playback
No ancillary software or external routing is required - all processors are contained in a single plugin
Position and move an object’s sound in real time in a virtual 3D environment using a graphical XYZ pad or separate sliders for adjusting the sound’s azimuth, elevation and distance to the listener
Includes 46 vivid virtual acoustic environments to choose from, each independently recallable per plugin instance
Controls for virtual environments adjust their size; damping; balance of early reflections and diffuse reverb; and distance of walls, ceiling and floor to listener
Powerful Realtime Auralization mode continually changes the delay times and directions of arrival for early reflections as you move an object’s sound around in its virtual space
Occlusion control realistically adjusts the sound of an object being blocked by another virtual object in line of sight to the listener
Separate controls scale parameter ranges for azimuth and distance to maintain perfect sync between audio and corresponding virtual objects in motion
Outputs audio in eight different formats: 2-channel binaural (for 3D playback using standard headphones); 4-channel first order, 9-channel second order and 16-channel third order Ambisonics output in either AmbiX or Furse Malham (FuMA) format; and 2D stereo

Team R2R Note: (v1.2.2)

HAPPY VALENTiNE'S DAY!!!

----------------------------------------------------------------------------

Q) Did Plugin Alliance change the protection?

A) The first big change happened between All Bundle v3.0 and v3.1. Before
v3.1, there are no antidebug, antitamper, antirebuild things. There were
just C&R protection using SHA256/RSA2048/RC4/BASE64.

From v3.1, PA adopted protector which we call PA-Layer. (To be honest we
don't know the actual name of that protector. It looks different from the
popular cross platfrom protectors like VMProtect).

PA-Layer function :

* Packer (Section Encryption)
* Code Obfuscation + Virtualization
* Anti Debugging
* Anti Tampering

We developed custom loader for the Anti PA-Layer and released in short
term (v3.1, last PA full bundle for public till now). But PA updated
the protection immediately for Anti-Anti PA-Layer. Anyway, it is just a
small change. Maybe they would update the protection again after a while.

----------------------------------------------------------------------------

Q) Why did some plugins continue to be cracked?

A) PA-Layer is adopted to the plugins developed by Plugin Alliance
(Brainworx) self. 3rd party plugins like Lindell, Unfiltered are not
protected by PA-Layer.

----------------------------------------------------------------------------

Q) What the bad point of PA-Layer? Is it removed from R2R release?

A) Slow loading time, performance affection. If you want to compare the
performance, compare the latest one with the one from PA All Bundle v3.0.

Load many plugins -> Save Project -> Close DAW -> Reload It!

You can notice the big difference between them.

Unlike our full rebuilt iLok releases, PA-Layer is still there in our
releases and you will have any bad points of PA plugins.

Enjoy the unprofessional behavior of the professional plugins!

----------------------------------------------------------------------------

Q) Why AAX got cracked and appeared beside the VST version?
Is AAX protected weaker than other plugin platform?

A) Yes, AAX is protected much weaker. While core protection (C&R and related
crypto) is still obfuscated/virtualized in AAX. We guess this is because
AAX needs digital signature by Avid, and some integrations of PA-Layer
conflict with it.

NOTE : AAX Crack by VR will crash randomly due to the bad bomb dealing.
It delays the crashing but it still crashes by some random seeds
(time64) and working time.

----------------------------------------------------------------------------

Q) How long does it take to crack all plugins?

A) Just imagine yourself -
Generate, Test custom loaders for VST2/VST3/x86/x64, for 90 products.

----------------------------------------------------------------------------

Q) I thought R2R was paid by Plugin Alliance to stop cracking.

A) We thought you were paid to complain R2R.

home page:

http://bit.ly/2ySZRb9

DOWNLOAD

Team R2R | 13 February 2019 | 96.9 MB

Most people probably listen to your mixes on earbuds and headphones. It's the perfect setup for blowing their minds with music in 3D—if only a plugin could do that.

Well, prepare to enter the third dimension! dearVR music breaks the shackles of stereo and planar surround sound to turn your DAW into a 3D virtual reality powerhouse. No advanced engineering chops are needed. Load dearVR music onto a track in your mix and choose one of 18 pristine virtual acoustic presets. Then simply drag your mouse around in the plugin's intuitive interface to position the track virtually behind or in front of the listener, above or below their head, to the left or right, closer or farther away—at any angle and distance in a 3D soundstage—for mind-blowing playback using conventional stereo headphones.

With dearVR music, you create a virtual, three-dimensional world in which your singers and musicians sit—or roam around in real time. Move each track inside any of 18 virtual acoustic environments—including a concert hall, church, stage, drum room and more. Your DAW's automation records your moves in real time. Each environment is instantly and independently recallable per plugin instance, letting you place each track in a different space. You can even change the shape and dimensions of each virtual space using controls that adjust its size, damping, and balance of early reflections and diffuse reverb.

dearVR music also outputs the highest quality 3D audio in 4-channel Ambisonics format, used in soundtracks for 360-degree YouTube videos. Watch your trendsetting 3D mixes go viral on social media, as you literally run circles around your competition. Don't need it to be 3D? dearVR music's beautiful virtual environments can also be used like conventional reverbs in stereo format, doubling their usefulness for music production. And mouse-dragging your track inside those beautiful spaces using the plugin's graphical XYZ pad is way faster, easier and simpler than setting up an aux, effects send, pan controls and wet/dry balance for a reverb plugin in your DAW.

Need more options and power? For pros working in virtual reality or augmented reality, Dear Reality's state-of-the-art dearVR pro plugin offers an extended control set, nearly four dozen virtual acoustic environments, virtual reflections that respond in real time to changing positioning, and many more output formats to choose from.

dearVR music is your streamlined entryway into immersive media audio production. Get out of your head.

Features

Mix any standard multitrack session as an immersive 3D soundscape with binaural output for headphones
Position and move tracks in real time with 360º freedom in a virtual 3D environment using a graphical XYZ pad or separate sliders for adjusting the track's azimuth, elevation and distance to the listener
Includes 18 virtual acoustic environments, each independently recallable per plugin instance
Controls for virtual environments adjust their size, damping and balance of early reflections and diffuse reverb
Supports 2-channel binaural (for headphones), 4-channel Ambisonics (for YouTube) and stereo playback formats

home page:

https://bit.ly/2TN89bU

DOWNLOAD

Team R2R | 13 February 2019 | 62.3 MB

The Dangerous BAX EQ is one of the smoothest sounding EQs you will use.

It features a world-class design of Peter Baxandall's legendary 1950's tone control that has graced hundreds of millions of hi-fi systems, plus 2 high pass / low pass filters.

This EQ is a fantastic tool for tracking, mixing, and mastering.

Besides the ultra clean and natural sound, which is achieved through the minimized phase delay design, the BAX EQ provides broad tonal control that will not alter the intrinsic sonic character of the source.

Features

Exact model of the mastering-grade Dangerous Music BAX EQ
Made by Brainworx!
World-Class High-Fidelity Tone Control Equalizer
Mix & Mastering M/S versions included!

home page:

https://bit.ly/2TMQe59

DOWNLOAD

Team R2R | 13 February 2019 | 37.8 MB

The Chandler GAV19T was inspired by classic British amps like Selmer, Vox and Marshall but with new added features that make it incredibly flexible. From the bias control that affects only the preamp tube bias, to the drive section that provides a treble boost, a full range boost and two flavors of mid boost for just the power amp section, to the Baxandall style tone controls, this amp's palette runs from clean to crunchy to shred-worthy chaos.

Brainworx, in partnership with Chandler Ltd. has faithfully recreated this special amp as a native plugin; so now you can record killer sounding guitar tracks through your interface while a baby is sleeping next door, or quickly bring a weak sounding guitar track in your mix up to snuff. The 75 impulse responses, developed at the Brainworx studio, using their vast array of speaker cabinets, mics and outboard gear, instantly give you sounds it would take an experienced engineer in a state of the art room all day to get.

The plugin version also includes some extremely useful features not found on the original amp including a noise gate, delay and power soak.

The GAV19T plugin's classic British sounds, combined with its wide range of tones, make it an incredibly useful tool to any Producer/Musician who records electric guitars. Download the full function 14-day demo (no dongle required!) today and hear for yourself the classic tones of this guitar amp sim.

Features

Faithful emulation of a great sounding amp inspired by classic British tone monsters
Sounds and feels like playing through a real amp when played with low-latency monitoring
World-Class guitar sound right on your desktop via faithful re-creation of a boutique tube amp
75 impulse responses with multiple speaker cabinets recorded in a state of the art room with stellar gear
Recording DI guitars, then editing and processing them in the DAW completely, using the internal amp simulation, the recording chains and the FX Rack.
Recording hardware preamps through the power amp simulation and Recording Chains.
Bias control emulates hotter or colder preamp tubes for different flavors of distortion
Drive features four modes: Treble Boost, Full Range, Aggressive and Mids with a boost amount to dial in just the amount of the selected frequency range desired.
Tone controls feature Baxandall style curves, which allow huge changes in frequency without changing the tone of the amp
Play live by plugging directly into the PA and/or monitoring system
Re-Amp less than perfect DI guitar tracks, previously recorded with other guitar-amp simulations.

home page:

https://bit.ly/2TI4gox

DOWNLOAD

Team R2R | 14 February 2019 | 32 MB

The Mäag EQ4 is one of Plugin Alliance's most popular plugins. International pros rely on its tremendous musicality to enhance their tracks.

Now Mäag has released their TEC Award nominated EQ2 in a plugin version, bringing that Air Band® magic to a lower price point and creating the perfect compliment to the EQ4.

The Mäag EQ2 provides some of the same audio magic of its bigger brother, but it also adds features which make it the perfect companion to the EQ4.

While the EQ4's wide, musical control over 4 frequency bands make it the best EQ on the market for sweetening your tracks, the EQ2's second band offers greater control over center frequencies and bandwidth selections, making it a great tool for fixing problems or creating more radical changes.

The EQ2 also has the legendary Air Band like the EQ4, but offers a 15khz band not found on the EQ4. The EQ2's 11 LMF bell selections on its LMF band: 6 wide and 5 tight, broaden its frequency selections compared to the EQ4, which has only wide bell selections. This allows the EQ2 to zoom in on problem areas in a manner that EQ can't. The EQ2 also features an Input Attenuator not found on the EQ4 to help normalize the signal before applying EQ.

You've heard the Mäag Audio EQ sound on the vocals of artists ranging from Madonna to Celine Dion, and from the Black Eyed Peas to Snoop Dogg. Now you can have this legendary sound right inside your DAW.

Mäag Audio's EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix's original sound while enhancing the “Airy” frequencies. The Air Band interacts with the other bands to tonally sculpt your tracks from top to bottom with unrivaled transparency and top-end presence.

home page:

https://bit.ly/2TIhWQm

DOWNLOAD

Louder Than Liftoff Chop Shop EQ v1.0 WiN

Team R2R | 13 February 2019 | 17.7 MB

Chop Shop is a faithful digital recreation of our 500 Series analog EQ. The plugin not only accurately reproduces the pristine sound of the original but also offers extra features that extend the functionality of this already versatile tone shaping tool. Chop Shop sports an intuitive interface that allows users of all skill levels to quickly address tonal issues in their audio and enhance the original character of sounds in a musical and transparent way.

Whether you are cleaning up multiple takes from a hectic session or looking for a way to make your kick and bass stand out in the mix, Chop Shop has got your back. With the ability to quickly enhance the clarity or low end punch of any sound Chop Shop's simple feature set belies it's underlying power. Chop Shop is the perfect tool to use across entire sessions. CPU effiency coupled with musical transparenty make Chop Shop ideal for elimininating masking and enhancing intelligibility.

FOCUS:

Intuitive filter that focuses the energy in a source on the bass or treble ranges of the sound. Apparent loudness of source is maintained constant for meaningful A/B comparisons. SHIFT switch decreases turnover frequency for a different midrange response.

LO-CUT:

12 dB/oct filter that rolls off low frequencies, variable 20 to 530 Hz. Jumper selectable 'Lo-Rider' mode transforms LO-CUT section into a low-frequency hi-cut section with variable resonance (hint: try this on a front of kick or Subkick mic and blend back in for incredibly deep and massive low end).

BUMP:

Variable resonance control for LO-CUT that adds a resonant 'bump' at the corner frequency. Response from Bessel (full CCW), to Butterworth (12 noon), to slightly resonant (0.5 dB full CW). MORE switch increases resonance dramatically... sometimes MORE is more.

LO-RIDER:

Transforms entire LO-CUT section into a low-frequency centered low pass filter with variable resonance. The LED icon will change accordingly. The frequency knob now sets cut-off frequency above which audio will be rolled off. Blend with the non-low passed signal via the MIX fader for massive sounding low end. This can be very useful on kick drums and bass sounds. This was a hidden feature on the hardware.

HI-CUT:

6 dB/oct filter that rolls off high frequencies, variable 500 Hz to 25 kHz. 0.5X switch shifts frequency range one octave lower, while simultaneously increasing slope to 12 dB/oct and adding slight resonance at corner frequency to retain apparent brightness. This resonance can be switched off if needed.

Team R2R Note: (v1.0)

HAPPY VALENTiNE'S DAY!!!

----------------------------------------------------------------------------

Q) Did Plugin Alliance change the protection?

A) The first big change happened between All Bundle v3.0 and v3.1. Before
v3.1, there are no antidebug, antitamper, antirebuild things. There were
just C&R protection using SHA256/RSA2048/RC4/BASE64.

From v3.1, PA adopted protector which we call PA-Layer. (To be honest we
don't know the actual name of that protector. It looks different from the
popular cross platfrom protectors like VMProtect).

PA-Layer function :

* Packer (Section Encryption)
* Code Obfuscation + Virtualization
* Anti Debugging
* Anti Tampering

We developed custom loader for the Anti PA-Layer and released in short
term (v3.1, last PA full bundle for public till now). But PA updated
the protection immediately for Anti-Anti PA-Layer. Anyway, it is just a
small change. Maybe they would update the protection again after a while.

----------------------------------------------------------------------------

Q) Why did some plugins continue to be cracked?

A) PA-Layer is adopted to the plugins developed by Plugin Alliance
(Brainworx) self. 3rd party plugins like Lindell, Unfiltered are not
protected by PA-Layer.

----------------------------------------------------------------------------

Q) What the bad point of PA-Layer? Is it removed from R2R release?

A) Slow loading time, performance affection. If you want to compare the
performance, compare the latest one with the one from PA All Bundle v3.0.

Load many plugins -> Save Project -> Close DAW -> Reload It!

You can notice the big difference between them.

Unlike our full rebuilt iLok releases, PA-Layer is still there in our
releases and you will have any bad points of PA plugins.

Enjoy the unprofessional behavior of the professional plugins!

----------------------------------------------------------------------------

Q) Why AAX got cracked and appeared beside the VST version?
Is AAX protected weaker than other plugin platform?

A) Yes, AAX is protected much weaker. While core protection (C&R and related
crypto) is still obfuscated/virtualized in AAX. We guess this is because
AAX needs digital signature by Avid, and some integrations of PA-Layer
conflict with it.

NOTE : AAX Crack by VR will crash randomly due to the bad bomb dealing.
It delays the crashing but it still crashes by some random seeds
(time64) and working time.

----------------------------------------------------------------------------

Q) How long does it take to crack all plugins?

A) Just imagine yourself -
Generate, Test custom loaders for VST2/VST3/x86/x64, for 90 products.

----------------------------------------------------------------------------

Q) I thought R2R was paid by Plugin Alliance to stop cracking.

A) We thought you were paid to complain R2R.

home page:

https://bit.ly/2TbK0v2

DOWNLOAD

Team R2R | 13 February 2019 | 67.4 MB

Lindell Audio, since its founding in 2010, has quickly gained a reputation for producing high quality analog gear. Record producer Tobias Lindell—resident producer at Bohus Sound Studios—set out to design recording equipment to satisfy his own way of working. Developing functions and user interfaces that he couldn't find on the market. Now, with the introduction of Lindell's plugin product line, that same authentic attention to audio quality and efficient workflow can be found inside your DAW.

home page:

https://bit.ly/2TLYKkQ

DOWNLOAD

DMG Audio Multiplicity v1.0.0 MacOSX

Unfiltered Audio G8 Dynamic Gate v1.3.1 CE / v1.3.0 WiN MacOSX

Canary Julz CJ’s Melody Pack V3 WAV

Cognition Strings Drum Tools WAV

PVLACE Loop Kit Vol.1 WAV

Udemy Voice-Over Training Record And Edit Voice Overs Like A Pro TUTORiAL

Figure 53 QLab 4 Pro Bundle v4.4.2 MacOSX

Brainworx Plugins Bundle v2.0.0 WiN

Black Box Analog Design HG-2 v1.3 WiN

ACME Audio Opticom XLA-3 v1.4 WiN

ENGL E646 VS v1.5 WiN

Elysia Plugins Bundle v2.0.0 WiN

Dmitry Sches Thorn v1.2 / v1.2.0 WiN MacOSX

Dear Reality dearVR pro v1.2.2 WiN

Dear Reality dearVR music v1.2.2 WiN

Dangerous Music BAX EQ v1.4 WiN

Chandler Limited GAV19T v1.5 WiN

Maag Audio EQ2 v1.5 WiN

Louder Than Liftoff Chop Shop EQ v1.0 WiN

Lindell Audio Plugins Bundle v2.0.0 WiN